The Raising of the Law in the Portuguese Synagogue of Amsterdam
This light-filled synagogue scene was painted by a Jewish artist who exhibited with the Impressionists.
Jacques Emile Edouard Brandon
- France 1897|
Artist Jacques Emile Edouard Brandon (1831-1897) was born in Bordeaux, France, to parents of Sephardic descent. He was part of the first generation of professional Jewish artists and began his career painting Christian devotional scenes before turning to Jewish subject matter.
Brandon was fascinated by the aesthetic and spiritual power of the synagogue, and was likely drawn to the imposing Portuguese synagogue of Amsterdam, also known as the Esnoga, because of his own Sephardic heritage. While worshipers in the foreground wear prayer shawls or traditional oriental garb, most of the figures wear genteel Western clothes consistent with the cosmopolitan character of this prosperous Jewish community.
Brandon was closely associated with such notable artists as Camille Corot and Edgar Degas, and exhibited at the controversial First Impressionist Exhibition of 1874. The influence of Impressionism can be observed in this painting’s muted color palette and attention to the play of light and shadow.
Name: | The Raising of the Law in the Portuguese Synagogue of Amsterdam |
Artist: | Jacques Emile Edouard Brandon |
Location: | |
Origin: | France, 1897 |
Medium: | Oil on Canvas, Painting |
Dimensions: | 17 x 35 in. |
Credit: | Gift of the College of Jewish Studies |
Catalog Number: | 68.2.41 |
—Miriam Bodian (Bloomington: Indiana University Press, 1997)
—Philo Bregstein and Salvador Bloemgarten (New York: Holmes & Meier, 2004)